O

O, o 1. Markierungspunkt in Mensuren 2. Tonbuchstabe 3. Ausführungshinweis (littera significativa, ‚Romanusbuchstabe‘) 4. als Teil der Vokalreihe zur musikalischen Inventionshilfe 5. Kennbuchstabe für die vierte Kirchentonart 6. Kennbuchstabe zur Anzeige eines Wechsels von imperfekter zu perfekter Mensur oder umgekehrt 7. Kennbuchstabe zur Anzeige der dreiteiligen Mensurierung der Brevis (tempus perfectum) 8. Kennbuchstabe zur Anzeige der Teilung der Brevis in acht Minimen (in der italienischen Mensurallehre) — 1. letter that designates a specific point in measurements 2. letter that designates a note 3. direction for performance (littera significativa‚ ‘Romanian letter’) 4. as part of the series of vowels used to invent musical composition 5. letter that identifies the fourth mode 6. letter that designates a change of imperfect mensuration into perfect, or the opposite 7. letter that designates triple mensuration of the brevis (tempus perfectum) 8. letter that designates the division of the brevis into eight minims (in Italian mensural theory) 1 Markierungspunkt in Mensuren — letter that designates a specific point in measurements a im System A - LL (für die mese) — in the system A - LL (for the mese) [s.VI] LmLBoeth. mus. 4, 6 p. 319, 3: Sit igitur primus quidem numerus maximusque, qui proslambanomeni obtineat locum, VIIII.CCXVI sitque totius chordae modus ab eo, quod est A, usque ad id, quod est LL. Hanc, id est A proslambanomenon VIIII.CCXVI, divido dimidiam ad O, ut sit tota A dupla ab ea, quae est O. Item O sit dupla ab ea, quae est LL. Erit igitur A quidem proslambanomenos, O autem mese, et LL nete hyperboleon (ad loc.: LmLGloss. Boeth. mus. 4, 6, 26). LmLBoeth. mus. 4, 11 p. 334 descr. al. [s.XIV] LmLIac. Leod. spec. 5, 32, 2: Habemus ex hoc numerum ipsi mese prius iunctum, quam O littera designavimus. LmLIac. Leod. spec. 5, 44, descr. al. LmLComm. Boeth. II p. 270, 29. cf. 2 b b im System: AˢB C DˢE F G HˢI K LˢM N O (für die nete hyperboleon) — in the system: AˢB C DˢE F G HˢI K LˢM N O (for the nete hyperboleon) [s.VI] LmLBoeth. mus. 4, 14 p. 338, 9: O nete hyperboleon. LmLBoeth. mus. 4, 14 p. 341, 16. al. [s.IX] LmLGloss. Mart. Cap. 941/362, 14-5. [s.XIV] LmLIac. Leod. spec. 4, 16, 9: Ubi autem ponimus ⋅g⋅ quartam decimam, Boethius ponit O, quae est nete hyperboleon. LmLComm. Boeth. II p. 288, 10. c im System: A B CˢD E F GˢH I KˢL M N OˢP (Z) — in the system: A B CˢD E F GˢH I KˢL M N OˢP (Z) [s.VI] LmLBoeth. mus. 4, 17 p. 347, 20 descr. (inde LmLGuido Aug. 211 descr. LmLHier. Mor. 20 p. 155, 14 sqq. LmLComm. Boeth. II p. 308, 2. LmLGuill. Pod. 4, 2. LmLGuill. Pod. 5, 7). al. [s.IX] LmLScol. ench. 3, descr. 5. LmLHucbald. 27: per tonum, tonum et semitonium, rursus tres tonos continuos et semitonium usque ad octo voces scandatur, et ab ipsa rursus octava incipiendo ordo superior per eosdem similiter metiatur gradus ad hunc modum. A t B t C s D t E t F t G s H t I t K s L t M t N t O s P. [s.XIV] LmLIac. Leod. spec. 6, 14, 1. al. LmLMon. Hoc mon. p. 204, 8. cf. LmLBrowne, System d im System: A BˢC D E FˢG H I KˢL M N OˢP Q R S — in the system: A BˢC D E FˢG H I KˢL M N OˢP Q R S LmLMon. Prima corda I 38: Primae IIII^or cordae dicuntur graves A B C D. Item IIII^or dicuntur finales E F G H. Aliae IIII^or dicuntur superiores I K L M et IIII^or aliae excellentes N O P [] Q, et <super> has sunt duae positae R S. Primae igitur IIII^or notantur per hos caracteres   (ed.: )  . al. LmLMon. Prima corda II 25. al. e im System: A BˢC D EˢF G Hˢ/(Z,SM)ˢIˢK L MˢN O P (für die paranete hyperboleon) — in the system: A BˢC D EˢF G Hˢ/(Z,SM)ˢIˢK L MˢN O P (for the paranete hyperboleon) [s.XI] LmLPs.-Berno mon. 12, 2 descr.: O paranete hyperboleon. al. LmLQuaest. mus. 1, 24 p. 66-67. LmLMon. Designata p. 70, 18. LmLMon. Divide mon. p. 3, 3-4. LmLMon. Partire totum p. 50, 41 descr. al. LmLMon. Prius dividenda 6: Deinde divide per VIII partes usque ad P et pone nonam usque ad O et erit tonus, cuius corda vocatur paranete hyperboleon. al. LmLMon. Si vis metiri I p. 8, 15. al. LmLMon. Totam tabulam p. 11, 3. al. LmLCymb. Omne instr. 3, 7. f im System: AˢB C DˢE F Gˢh (= trite synemmenon) ˢH (= paramese) ˢK L MˢN X O — in the system: AˢB C DˢE F Gˢh (= trite synemmenon) ˢH (= paramese) ˢK L MˢN X O [s.XIV] LmLIac. Leod. spec. 6, 2, 5 sqq. (cf. Boeth. mus. 4, 14 p. 338, 6). LmLIac. Leod. spec. 6, 3, 18 descr. al. 2 Tonbuchstabe — letter that designates a note a im System: A BˢC D EˢF G H (ˢQ = trite synemmenon) I (= paramese) ˢK L MˢN O P — in the system: A BˢC D EˢF G H (ˢQ = trite synemmenon) I (= paramese) ˢK L MˢN O P [s.IX] LmLScol. ench. 2 descr. 1 app. crit. [s.XI] LmLOdor. Sen. p. 154: ⋅O⋅ Paranete hyperboleon. LmLOdor. Sen. p. 213 descr. [s.XIV] Anon. Meyer 12, 5 descr. al. [s.XV] LmLAdam Fuld. 2, 9 descr. LmLMon. Mensurus p. 66, 11. cf. 1 e; LmLBrowne, System b im System: a bˢc e hˢi m o xˢy cc ddˢff nn ii (für die mese) — in the system: a bˢc e hˢi m o xˢy cc ddˢff nn ii (for the mese) [s.IX-XII] LmLGloss. Boeth. mus. 4, 16, 36, 7: Forma vero primi et II (sc. tropi) ducitur ab ⋅O⋅ in ⋅E⋅; III^ti et IIII ab ⋅X⋅ in ⋅H⋅; V^ti et VI^ti ab ⋅Y⋅ in ⋅I⋅; VII^mi et VIII^vi ab ⋅CC⋅ in ⋅M⋅. [s.IX-X] LmLAlia mus. 41 p. 183: A prima quoque specie diapason, quae est mese, id est ⋅o⋅, inchoatur primus tropus (inde LmLAnon. Bernh. 1, 53). LmLAlia mus. 90 p. 187: intra diapente ⋅o⋅ ad ⋅e⋅ et diatessaron ⋅o⋅ ad ⋅cc⋅ (inde LmLAnon. Bernh. 1, 61). al. [s.X-XI] LmLAnon. Bernh. 2, 83-127. cf. LmLSantosuosso, Notations p. 56 sqq. c im System: A BˢC D EˢF G H IˢK L M (= trite synemmenon) N (= nete synemmenon)ˢO P Q — in the system: A BˢC D EˢF G H IˢK L M (= trite synemmenon) N (= nete synemmenon)ˢO P Q [s.XI] LmLCompil. Casin. 1, 24 descr.: ⋅O⋅ - corda basal - simphonia chamsascer - metrum triteyperboleon - vox medum. d im System: A BˢC D EˢF G HˢI K L (H-L = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.)ˢQ R S (für die paranete diezeugmenon) — in the system: A BˢC D EˢF G HˢI K L (H-L = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.)ˢQ R S (for the paranete diezeugmenon) [s.XI] LmLPs.-Berno mon. 4, 2: De nominibus chordarum. ... ⋅O⋅ paranete diezeugmenon. LmLPs.-Berno mon. 10, 1: Tertius magister ascendit ad ⋅R⋅ et remittitur ad ⋅C⋅; eius discipulus intenditur ad ⋅O⋅ et descendit ad idem ⋅C⋅. al. e im System: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p — in the system: Γ aˢyˢbˢc dˢsˢeˢfˢrˢg hˢiˢkˢl m nˢo p [s.XII] LmLTheinr. Dov. 3, 5 p. 234 descr. f im System: Γ A BˢC D EˢF G H IˢK L (I-M = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.) ˢQ R S — in the system: Γ A BˢC D EˢF G H IˢK L (I-M = tetrach. synemm.) MˢN O P (M-P = tetrach. diezeugm.) ˢQ R S [s.XIII-XIV] LmLWalt. Odingt. 3, 4, 32 descr. LmLWalt. Odingt. 3, 9, 27 descr. LmLWalt. Odingt. 5, 4, 45 descr. al.[] g im System: a bˢc d eˢf g hˢiˢkˢl m nˢo p qˢrˢs — in the system: a bˢc d eˢf g hˢiˢkˢl m nˢo p qˢrˢs [s.XIV] Anon. Meyer 11, 10: Primum semitonium est ⋅b⋅c⋅, secundum ⋅e⋅f⋅, tercium ⋅k⋅l⋅, quartum ⋅n⋅o⋅, quintum ⋅r⋅s⋅, Tercium semitonium, quod est medium in ista 5, potest anticipari per ⋅i⋅k⋅, et extremum semitonium potest locari super ⋅q⋅r⋅. Anon. Meyer 11, 13 descr. h im System: a bˢc d eˢf g hˢiˢ♮ˢk l mˢn o p (q) — in the system: a bˢc d eˢf g hˢiˢ♮ˢk l mˢn o p (q) [s.XV] LmLBart. Ram. 1, 1, 2 p. 5 descr. (inde LmLIoh. Hoth. exc. p. 18). LmLBart. Ram. 1, 2, 5 p. 36 descr. LmLBart. Ram. 2, 1, 2 p. 71: si tenor psallat ⋅e⋅c⋅, organum melius faciet ⋅m⋅m⋅ quam ⋅m⋅o⋅. al. 3 Ausführungshinweis (littera significativa, ‚Romanusbuchstabe‘) — direction for performance (littera significativa‚ ‘Romanian letter’) [s.IX-X] LmLNotk. Balb. p. 69: O figuram sui in ore cantantis ordinat (inde LmLFrut. brev. 14 p. 104. LmLAnon. Wolf p. 205. LmLQuaest. mus. 1, 23 p. 63. LmLCompil. Lips. p. 132). LmLTrad. Notk. p. 44: O cantus ordinem donat. cf. LmLSmits v. W., Muziekgeschiedenis 2 p. 153 sq. 4 als Teil der Vokalreihe a e i o u zur musikalischen Inventionshilfe (a = Γ, e = A, i = B, o = C, u = D, a = E usw.) — as part of the series of vowels a e i o u used to invent musical composition (a = Γ, e = A, i = B, o = C, u = D, a = E etc.) [s.XI] LmLGuido micr. 17, 25: ⋅Γ⋅A⋅B⋅ ... ⋅f⋅g⋅⋅ ..., ubi cum duobus ubique subsonis, in quibus quinque habeantur vocales (ad. loc.: LmLQuat. princ. 3, 7). LmLAribo 63 p. 70. LmLComm. Guid. 59 p. 169. LmLLib. spec. 58 p. 53 eqs. LmLLib. spec. 67 p. 54 eqs. LmLIoh. Cott. mus. 20, 8. LmLIoh. Cott. mus. 20, 12: Cum enim ego in praemisso cantu parhypate meson o i attribuerim, tu ibidem e i vel a o vel a u vel quidquid tale volueris, locare poteris, dummodo persistas in ordine, quem inceperis. al. [s.XIII-XIV] LmLWalt. Odingt. 5, 6, 4. [s.XV] LmLFr. Gafur. op. 5, 6. 5 Kennbuchstabe für die vierte Kirchentonart in einer erweiterten Vokalreihe — letter that identifies the fourth mode in an extended series of vowels (a = I, e = II, i = III, o = IV, u = V, η = VI, y = VII, ω = VIII) („Tonarbuchstabe“ cf. LmLOmlin, Tonarbuchstaben) [s.XI] LmLFrut. ton. p. 140-145. al. LmLIoh. Cott. mus. 11, 29: apud quosdam phtongi, id est toni, vocalibus, tonorum autem differentiae, quas quidam abusive diffinitiones vocant, consonantibus signantur hoc modo. Primum tonum a notat, secundum e, tertium i, quartum o, quintum u, sextum H Graecum, septimum y, octavum ω (sim. LmLAnon. Pannain p. 108. LmLIac. Leod. spec. 6, 82, 5. LmLCompil. Lips. p. 132). 6 Kennbuchstabe zur Anzeige eines Wechsels von imperfekter zu perfekter Mensur oder umgekehrt — letter that designates a change of imperfect mensuration into perfect, or the opposite [s.XIV] LmLMarch. pom. 54, 16: Tunc supra dictas notas perfectas ponatur b innuens ipsam ad divisionem binariam pertinere, hoc est temporis imperfecti; supra vero notas imperfecti modi et perfecti temporis, quod est totum oppositum et in tempore et in modo, ponatur o innuens oppositionem praecedentium notarum et in tempore et in modo, ut hic: (sequitur exemplum) vel e converso. 7 Kennbuchstabe zur Anzeige der dreiteiligen Mensurierung der Brevis (tempus perfectum) — letter that designates triple mensuration of the brevis (tempus perfectum) [s.XIV] LmLPs.-Phil. lib. mus. p. 44b: Item notandum, quod O littera signat perfectionem in cantu et C littera signat imperfectionem. LmLIac. Leod. spec. 7, 47, 11: Alii vero pro modo perfecto praesumunt M apponere et pro imperfecto N dicentes, [] quod, sicut O et C pro temporis ponuntur variatione, sic M et N pro modi cognitione. Alii vero quasi e contrario per O modum perfectum mensuramque perfectam intelligunt; per C autem modum imperfectum et mensuram imperfectam. 8 Kennbuchstabe zur Anzeige der Teilung der Brevis in acht Minimen (in der italienischen Mensurallehre) — letter that designates the division of the brevis into eight minims (in Italian mensural theory) [s.XIV] LmLAnon. Deodat. 6, 20: Senaria maneries aliquando cognoscitur per hoc signum s, nonaria per n, octonaria per o, duodenaria per d. [s.XV] LmLProsd. ital. I p. 234b: O nobis denotantem tempus octenarium (sim. LmLProsd. ital. II p. 48).