Eintrag · Lex. musicum Latinum
remisse adv.
remisse 1. (in der Tonhöhe) absteigend 2. zurückhaltend, zurückgenommen (den Vortragsstil betreffend) 3. tief (die Tonhöhe betreffend) 4. vermindert (bezogen auf die kleine Form eines Intervalls gegenüber der großen) — 1. descending (in pitch) 2. holding back (with respect to style of performance) 3. low (with respect to pitch) 4. diminished (with respect to the minor form of an interval as opposed to the maior) 1 (in der Tonhöhe) absteigend — descending (in pitch) [s.XI] LmLHermann. mus. p. 48 (p. 140) descr.: Sic ergo susum et iusum diatesseron species modulare: Proti: intense ⋅A⋅B⋅C⋅D⋅ ⋅D⋅C⋅B⋅A⋅ remisse. al. LmLTon. Aug. p. 98a. al. [s.XII] LmLAnon. Pannain p. 114: Repetantur (sc. neume), dico, si aut similes intense aut similes remisse inveniantur. [s.XIII-XIV] LmLEngelb. Adm. 4, 7, 14: nunc intense, nunc remisse per varias consonancias incipere et ascendere et descendere et finiri. LmLIac. Leod. spec. 6, 30, 12: quarta (sc. species diapente) remisse sumpta similis est primae intense sumptae. eqs. LmLIac. Leod. spec. 6, 113, 26: Diapente et diatessaron symphoniae et intense et remisse (ms.; ed.: intensae et remissae) pariter consonantiam diapason ... reddunt (cum melodia) (sim. LmLMus. man. 38, 1. cf. LmLBernhard, Clavis Gerberti 1 p. 24 sqq.). [s.XV] LmLUgol. Urb. 1, 112, 35. al. LmLIoh. Hoth. dial. p. 69. LmLGuill. Pod. 4, 22. al. 2 zurückhaltend, zurückgenommen (den Vortragsstil betreffend) — holding back (with respect to style of performance) [s.XIII] LmLInst. patr. 6: Tres ordines melodie in tribus distinctionibus temporum habeamus, verbi gratia in praecipuis sollempnitatibus, toto corde et ore omnique affectu devotionis; in dominicis diebus et minoribus festivitatibus sive nataliciis sanctorum, in quibus plebes laborant partim vel totaliter, multo remissius; privatis autem diebus ita psalmodia moduletur nocturnis horis, et cantus de die, ut omnes possint devote psallere et intente cantare sine strepitu vocis cum affectu absque defectu. 3 tief (die Tonhöhe betreffend) — low (with respect to pitch) [opp.: alte] [s.XIV] LmLHugo Spechtsh. comm. p. 39: voces primi alphabeti dicuntur graves ideo, quia graviter et remisse sonant (inde Trad. Holl. XIV 6, 17. Trad. Holl. XVI 1, 3, 13. []Trad. Holl. XIX 133). LmLComm. Boeth. II p. 210, 22: Est enim in equalitate sonorum nichil habens alcius vel remissius, in diastemate vero, quam non continuam vocat (sc. Boecius), est arsis et thesis, sive ibi sequatur sonus sonum interposito silencio sive non. [s.XV] LmLUgol. Urb. 1, 46, 15: Intensa species est, quae remisse incepta successive per voces intenditur ut hic: (sequitur exemplum). Remissa species est, quae intense incepta successive per voces remittitur ut hic: (sequitur exemplum). LmLTrad. Holl. III 6, 30. LmLGuill. Pod. ench. 24 p. 385: in ⋅f⋅ remissius ab ipso gamaut per tonum. LmLGuill. Pod. ench. 24 p. 385: in ⋅c⋅ remissius ab illo per diatesseron consonantiam institutum (sc. principium nature). al. 4 vermindert (bezogen auf die kleine Form eines Intervalls gegenüber der großen) — diminished (with respect to the minor form of an interval as opposed to the maior) [s.XV] LmLTrad. Holl. III 5, 122: Omnis modus autem resonat: In una et eadem corda, voce vel clave <et> sic est unisonus. In 2a: intense et sic est thonus, remisse et sic est semithonium maius vel minus. In 3a: intense et sic est dythonus, remisse et sic <est> semidithonus. Trad. Holl. XXI 6, 55: Semiditonus cum dyapenthe est saltus unius vocis in septimam debiliter sonans aut remisse. saepius