intense

intense (intente) 1. (in der Tonhöhe) aufsteigend 2. hoch (die Tonhöhe betreffend) 3. ‚ausgedehnt‘ (bezogen auf die große Form eines Intervalls gegenüber der kleinen) — 1. with ascending movement 2. high (with reference to pitch) 3. in an ‘augmented’ manner (with respect to the major form of an interval as distinct from the minor) 1 (in der Tonhöhe) aufsteigend — with ascending movement [s.XI] LmLHermann. mus. p. 48 descr.: Sic ergo susum et iusum diatesseron species modulare: Proti: intense ⋅A⋅B⋅C⋅D⋅ ⋅D⋅C⋅B⋅A⋅ remisse. al. LmLTon. Aug. p. 87: subiugalem designant minus intense. al. [s.XII] LmLTheinr. Dov. 1, 21 p. 188, 10: A 1000 ergo 944 intente (ms.; ed.: intende) tonum unde 2187 surgit. LmLAnon. Pannain p. 114: Repetantur (sc. neume), dico, si aut similes intense aut similes remisse inveniantur. [s.XIII-XIV] LmLEngelb. Adm. 4, 7, 14: nunc intense, nunc remisse per varias consonancias incipere et ascendere et descendere et finiri. LmLIac. Leod. spec. 6, 30, 12: quarta (sc. species diapente) remisse sumpta similis est primae intense sumptae. eqs. LmLIac. Leod. spec. 6, 113, 26: Diapente et diatessaron symphoniae et intense et remisse (ms.; ed.: intensae et remissae) pariter consonantiam diapason modulatione consona reddunt (sim. LmLMus. man. 38, 1. cf. LmLBernhard, Clavis Gerberti 1 p. 24 sqq.). [s.XV] LmLUgol. Urb. 1, 112, 35. al. LmLIoh. Hoth. dial. p. 69. 2 hoch (die Tonhöhe betreffend) — high (with reference to pitch) [s.XV] LmLUgol. Urb. 1, 46, 16: Intensa species est, quae remisse incepta successive per voces intenditur, ut hic: (sequitur exemplum). Remissa species est, quae intense incepta successive per voces remittitur, ut hic: (sequitur exemplum). LmLTrad. Holl. I p. 171: ⋅b⋅ rotundum, per quod fa cantatur, et ⋅b⋅ quadrum, per quod vox mi intentius per b duralem formatur. 3 ‚ausgedehnt‘ (bezogen auf die große Form eines Intervalls gegenüber der kleinen) — in an ‘augmented’ manner (with respect to the major form of an interval as distinct from the minor) [s.XV] LmLTrad. Holl. III 5 p. 39 descr.: Omnis modus autem resonat in una et eadem corda, voce vel clave: sic est unisonus - in 2: intense et sic est thonus, remisse et sic est semithonius maius vel minus - in 3: intense et sic est dythonus, remisse et sic semidithonus. saepius